This exquisite brass charger, with its scalloped rim and radiating medallion, exemplifies the refined artistry of Fatimid–Mamluk metalwork. Its surface combines geometry, calligraphy, and vegetal ornament into a vision of cosmic harmony, where decoration becomes devotion.

Calligraphic Inscriptions
The radiating medallion and surrounding bands are filled with flowing Thuluth inscriptions, proclaiming royal praise and piety:

Arabic:
"العز لمولانا السلطان الملك الصالح المؤمن نجم الدين الفاطمي"

Transliteration:
al-ʿizz li-mawlānā al-sulṭān al-malik al-ṣāliḥ al-muʾmin Najm al-Dīn al-Fāṭimī.

Translation:
“Glory to our lord, the Sultan, the righteous king, the faithful, Najm al-Dīn al-Fāṭimī.”

These inscriptions are arranged in circular rays, their script forming both text and ornament, binding word with pattern.

Artistic Details

• Central Sunburst: At the heart lies a radiating medallion, filled with calligraphy arranged like rays of light, symbolizing divine illumination.
• Inner Arabesques: Encircling the center, vegetal scrolls and arabesques weave in rhythmic interlace, adding motion and depth.
• Scalloped Rim: The broad rim carries further inscriptions and arabesque motifs, framed by scalloped edges that recall floral petals or celestial waves.
• Surface Contrast: Golden highlights gleam against the darker brass background, echoing the tradition of inlaid Mamluk metalwork.
• Engraving Style: The flowing vines, inscriptions, and geometric precision reflect Fatimid engraving traditions, where every surface carried symbolic meaning.

Interpretation
This charger was not made for daily use but as a ceremonial or devotional object. Its radiating calligraphy and floral embellishments create a cosmic harmony, situating the Sultan within both piety and divine order. It embodies artistry, refinement, and devotion, an object meant to proclaim both faith and power.